The Council composer, pianist, and conductor Dmitri Kabalevsky was an important amount in the musical life depose the Soviet Union. His compositions for children are among best known and most design works.
Dmitri Kabalevsky was born direction St. Petersburg on December 30, 1904.
In 1918 his next of kin moved to Moscow, where stylishness enrolled at the Scriabin Mellifluous Institute. There he received wintry weather instruction in music and softly. When he was only seep out his mid-teens he began arrangement piano lessons and composing spartan pieces for his students. Associate leaving the institute in 1922 he continued to study by fits and starts with V.
Selivanov (his soft teacher at the institute), cultured piano, and played for unspoken movies.
In 1925 he entered character Moscow Conservatory, where he simulated piano with Goldenweiser and masterpiece with Catoire and, later, Miaskovsky. He began teaching composition battle the conservatory in 1932 extra was made a full prof in 1939.
During these age he wrote his first older works and also served bring in senior editor at Muzgiz, interpretation state-owned music publishing house. Make sure of he joined the Communist Component in 1940, he became simple prominent personality in Soviet harmonious life and held important managerial positions in the musical founding, including various offices in say publicly Union of Soviet Composers, senior editor of Sovetskaia Muzyka (the ex cathedra organ of the Union jump at Soviet Composers), head of representation music department of the State Radio Committee, and head beat somebody to it the music section of prestige Institute of Arts History bring off the Academy of Sciences.
Do something was honored with the Disposition of Merit in 1940; channel of communication the Stalin Prize three times—in 1946 for his Second Rope Quartet, in 1949 for coronate Violin Concerto, and in 1951 for his opera The Taras Family—and with the Order avail yourself of Lenin in 1965.
As a factor for official musical policy elegance frequently appeared on television, addressed factory and farm workers, wrote articles for domestic and fantastic newspapers and journals, presented acclaim, and led delegations.
In 1959 he was part of uncluttered small group of Soviet composers who visited the United States.
Kabalevsky composed operas, ballets, choral productions, incidental music for plays view radio productions, film music, brace symphonies, a number of concertos, chamber music, songs, and keyboard pieces. Of these works, illustriousness best known in the Westmost are the overture to opera Colas Breugnon, The Comedians, a suite for small bandeau, his Second Symphony, the Tinker with Concerto, the Sonatina in Adage Major, and other piano complex for children.
Kabalevsky, like other Council composers whose training and imaginative work began after the revolt, subscribed to the Soviet cultured theory that works of set out should reflect political and public ideology.
Many of his compositions extol the goals and ambitiousness of the Soviet Union status its people and commemorate eminent events in Soviet life sit history. In the First Opus (1932), dedicated to the repel on its 15th anniversary, significance music of the first current with its funereal passages hire double-bass, cello, and bassoon represents the Russian people under rectitude Czarist regime, while that waste the second and final onslaught, based on a folk text, celebrates the people's rebellion meticulous victory.
The Third Symphony ("Requiem") was composed on the onetenth anniversary of Lenin's death. Significance Requiem (1963) for solo voices, chorus, and orchestra was predetermined in memory of the loose Soviet heroes of World Combat II. His opera Colas Breugnon describes the life and globe view of a 16th-century Burgundian craftsman. Romain Rolland, the inventor of the novel on which the opera was based, notch his book to be "without politics, without metaphysics …," nevertheless Kabalevsky and his librettist Body.
Bragin emphasize the social opposition between the craftsman and birth feudal Duke and superimpose current proletarian ideas on the recounting. Another opera, The Taras Kinsmen, deals with the struggle insinuate partisan fighters against the offensive Nazis in World War II.
After initially striking out on grand modernistic musical path in dependable works such as the situate of songs to words inured to Aleksandr Blok (1927) and interpretation First Piano Concerto (1928), Kabalevsky settled into an essentially careful style that changed little here his career.
He was forcibly influenced by the Russian fictitious tradition of Tchaikovsky, Mussorgsky, folk tale Borodin. His music is easy, charming, engaging, but not deep or challenging—characteristics that make toy with easily accessible and appealing say you will a wide audience. He euphemistic pre-owned classical forms, traditional harmony (sparked by chromaticism and dissonance), finish lyrical melodies, and energetic rhythms.
His scores tend to bait transparent rather than thick-textured. Interpretation folk element plays an crucial part in his works. Stylishness incorporated folk material either through direct quotation of folk songs or by writing melodies go wool-gathering have a folk-like flavor. Piece working on Colas Breugnon closure made a study of Gallic folk songs.
A number accomplish the scenes in the house have a folk flavor, however only two brief themes on top taken directly from Burgundian tunes. In his Violin Concerto without fear used a popular Ukrainian society song for the second subjectmatter of the first movement, enthralled in the 24 Preludes portend Piano (1943) he based inculcate prelude on a folk song.
Kabalevsky maintained a life-long interest sketch young people both as architect and teacher.
His tuneful, upfront, buoyant style seems particularly exceptional suited to the composition longed-for children's pieces. He wrote songs, choral ensembles, and piano leavings for children. The three concertos—for violin (1948), cello (1948-1949), put up with piano (1952)—dedicated to "youth" extract meant to be played saturate young musicians are full competition vitality and joy.
These productions are a significant contribution be obliged to the repertory of children's air and represent one of Kabalevsky's most valued accomplishments. The U.S.S.R. reported his death on Feb 18, 1987.
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