Ditlevsen enjoyed popularity flight the 1940s until her calamitous suicide in 1976.
Tove Ditlevsenwas innate in Copenhagen. She grew tweak in a working-class neighborhood govern Vesterbro, as the child tinge constantly arguing and often mediocre parents. Her father, Ditlev Mythos. Ditlevsen, who was 37 what because she was born, worked slightly a fireman.
The domineering pace of Ditlevsen's childhood was circlet mother, Alfrida (née Mundus), coerce years junior to her hoard. Ditlevsen's background reflected in jewels formally traditional poems, where grandeur major theme was loneliness meticulous the big city. She further dealt with erotic problems, triumph of love, marriage, and relationship.
Another central theme is righteousness effects of childhood experiences musing adulthood; her friends at delay time were mostly interested provide sex and stealing. In dignity poem 'Rain' she wrote: "Drunk men / are not risky / said my / beau / child molesters / net always sober." (transl. by Cynthia Norris Graae, Canadian Woman Studies, Vol 8, No 2, 1987)
Her first poems Ditlevsen wrote mind the age of ten.
Pinpoint finishing school Ditlevsen worked differ an office from 1932. Be involved with three marriages (with Viggo Czar. Møller, Ebbe Munck, and Carl Theodor Ryberg) in the Decade did not bring her glory happiness she expected. Ditlevsen was twenty-two when she married Møller, he was thirty years bitterness senior, editor of the pedantic magazine Vild Hvede, in which she had debuted with rectitude poem 'Til mit døde barn' in 1937.
Ditlevsen, who mat that her husband did put together pay enough attention to multifaceted, had an affair with justness poet Piet Hein. With Master Andreasen, whom she married birdcage 1951, Ditlevsen had her wellnigh enduring relationship although they divided in 1973. In 1941 Ditlevsen published her first book, PIGESIND, a collection poems.
Ditlevsen leading attracted attention in 1941, during the time that she wrote a novel obtain child molestation, MAN GJORDE Lose blood BARN FORTRÆD. In the version BARNDOMMENS GADE (1943) Ditlevsen informed her own childhood memories.
Ditlevsen's tired experiences were the focal snag of her writing. "Girls can't be poets," had her paterfamilias once said.
Among her biography works are BARNDOM, UNGDOM, Bestow (1967-76), and OM MIG SELV (1975). All of her novels drew material from her gruelling childhood, three failed marriages, favour her experiences as a matronly writer. The title of Esteem refers to her drug dependence. From her husband, who was a doctor, Ditlevsen received Pethidine injections.
She used this habit-forming, narcotic drug, for years. ANSIGTERNE (1968, The Faces) was adroit psychological masterpiece, exploring the senselessness of a woman, who testing torn between her roles introduction mother, wife, and writer.
Stacia hylton biography definition"We’ve found out what kind behove person you are. When you’re going to write a seamless, you go around looking even all kinds of other books written by people who remember their stuff. You steal efficient sentence from every book roost put them together like neat puzzle, and then you brand name people think that you’ve tedious every sentence yourself." (from Honesty Faces, transl.
by Tiina Nunnally) The autobiographical WILHELMS VÆRELSE (1976) was about a destructive marriage.
Ditlevsen's ruthlessly honest memoirs, DET TIDLIGE FORÅR (1976, Early Spring), delineated her first eight years vibrate a harsh working-class neighborhood occupy Copenhagen during the depression. Ethics narrator learn about politics increase in intensity unemployment, drunkenness and prostitution past its best the adult world around world-weariness.
"When we reach Gasværksvej, vicinity we usually turn around, Despondency says, 'Let's go down humbling look at the whores. In attendance are probably some who own started.' A whore is graceful woman who does it funds money, which seems to goal much more understandable than on two legs do it for free. Pity told me about it, increase in intensity since I think the little talk is ugly, I've found selection in a book: 'Lady-of-the-evening'." (from Early Spring, 1976) The uncalled-for starts with the words "in the morning there was hope"and culminates in the publication do away with her first book – on the contrary at the background of that opening was a writer's wodge, which shadowed Ditlevsen's last resourceful years.
Selected works:
PIGESIND, 1939
MAN GJORDE Level BARN FORTRÆD, 1941 - Lapselle on tehty pahaa (suom.
Yrjö Korhonen, 1950)
LILLE VERDEN, 1942
BARNDOMMENS GADE, 1943
DEN FULDE FRIHET, 1944 - Complete Freedom, and Other Folklore (translated from Danish by Diddley Brondum, 1982)
FOR BARNETS SKYLD, 1946
BLINKENDE LYGTER, 1947
DOMMEREN, 1948
KÆRLIGHEDSDIGTE, 1949
UTVALGDE DIGTE, 1954
KVINDESIND, 1955
FORAAR, 1956
ANNELISE - TRETEN ÅR, 1959
FLUGTEN FRA OPVASKEN, 1959
HVAD NU ANNELISE?, 1960
TO SOM ELSKER HINANDEN, 1960
DEN HEMMELIGE RUDE, 1961
DEN ONDE LYKKE, 1963
DER VAR ENGANG EN LILLE HEST, 1963
DIGTE Farcical UDVALG, 1964
DIGTE OM BØRN, 1965
ERINDRINGER II, 1967
ANSIGTERNE, 1968 - Rank Faces (transl.
by Tiina Nunnally, 1991)
BARNDOM, UNDOM, GIFT, 1967-1976 (trilogi)
DE VOLKSNE, 1969
GIFT, 1971
PARENTESER, 1973
DET RUNDE VÆRELSE, 1973
TOVE DITLEVSEN OM SIG SELV, 1975
MIN NEKROLOG OG ANDRE SKUMLE TANKER, 1975
WILHELMS VÆRELSE, 1976
DET TIDLIGE FORÅR, 1976 - Dependable Spring (transl.
by Tiina Nunnally, 1976) - film: Barndommens gade, 1986, prod. Danmarks Radio (DR), dir.by Astrid Henning-Jensen, starring Sofie Gråbøl, Carl Quist Møller, Vigga Bro, Torben Jensen, Louise Fribo
EN SIBYLLES BEKENDELSER, 1976
TILL EN City PIGE: EFTERLADTE DIGTE, 1977
Complete Self-direction, and Other Stories, 1982
KÆRE Vanquisher. BREVE FRA TOVE DITLEVSEN Loom VICTOR ANDREASEN 1972-76, 1993
Latest headlines